한국적 미에 대한 오해 : 류종열, 고유섭, 윤희순의 논고 비교분석
Misunderstandings of Korean Beauty : Comparative Studies of the theses of Ryoo Jong-yeal,Ko You-seop, and Yoon Hee-soon
Art theorists support art productions by, introducing them to the public, explaining their meanings, and playing a critical part in the development of art. These tasks seem like theire opus. Because the principles of art production and the artistc languages are quite different from the ordinaries, we need 'interpreters' who can medoate us and the artists. Art works need interpretation. And the interpretation includes not only the characteristics of the given art work, but the customs, history, and the unique qualities of the race that procuved the art work. THe former director of the Korean National Museum, Choi Soon-woo wrote on the characteristics of Korean art as those that stem from the poised, arbitrary and non-elaborate state of mind. THe statement of the former Director of the National Museum has its weight far greater than just a personal opinion. In fact, we encounter the same resonance of this statement over and over reproduced in the mass media,. The problem lies on that it deals with not only a single art work, but the entire Korean art. And going further, this kinf og remarks are alreadt infused into every sector of our thought on art appreciation. In this paper, I argue for a re-reading of the characteristics of Korean beauty based on two reasons. First, the characteristic of art work is contemporary, thus we cannot define the characteristics of entire Korean art in a few words without the context of the period of its making. Seconf, Director Choi defines the characteristics that I pointes out above as 'natural' and 'nature-friendly'. Nature or beibg natural is nor an usual word that defines the characteristics of art work, which stands for the opoosite side of the nature in the binary opposition of nature/culture. To delve into these misunderstandings of Korean beauty in the popular notions of Korean Art, I suggest the re-reading if three major articles on Korean Art: Ryoo Jong-yeol's "Korean race and its art", Ko You-seup's reterarion of Ryoo's thesis called "Discourses in Korean Art History and Aesthetics," and Yoon Hee-soon's antithesis of Ryoo Jong-yeol titled "Studies on Korean Art History."
한국미술이론학회는 미술이론의 고유한 역할과 방향을 모색하고자 창립되었다. 미술창작과 해석에 필요한 제반이론을 생산하고 다양한 미술현장의 활동을 검증하고 비판하며 연구하는 학회로서 미술의 이론과 실제사이의 분리현상을 극복하는데 기여하고자 한다. 현재 미술관련 학회들의 성격이 대부분 이론영역에 치중해있고, 학과나 전공에 특화되어 있는데 반하여, 본 학회는 미술의 현장과 창작과정을 적극 반영하고 미학, 미술사 등 기존의 미술이론 영역 뿐 아니라 실기와 미술교육, 경영, 행정, 전시 등 다양한 분야를 총괄하는 학제 간 연구를 활성화시키고자 한다. 앞으로 다양한 미술이론 영역에 대한 심도 있는 연구는 물론 한국미술계의 발전과 변화에 조력할 수 있는 실천적이고 생산적인 미술이론의 형성에 본 학회는 최선을 다할 것이다.