Earticle

초록

영어

The relationship between sound and vision was experimentally confirmed by physicist Ernst Florens Friedrich Chladni as early as the 18th century and formally entered into systematic research. With the development of emerging media technology, sound reactive type visual content is not limited to a single visual interaction based on the vibration of sound, and its visual content shows a diversified and scalable development trend according to different purposes in many fields. This study analyzes the development and changes of sound visual art contents from early stage to modernization, and analyzes the development characteristic of sound visual art content in different fields and scene environments influence by interactive media, new media technologies and devices by means of case analysis. Through this research, it is expected that the sound reactive type visual art content can continue to develop and extend in the existing fields, while explore the scalability of the application of sound reactive type visual art content in more fields.

목차

Abtract
1. Introduction
1.1 Research background
1.2 Research purpose and method
2. Theoretical research
2.1 Information visualization
2.2 Research on the theory of sound visual art
2.3 The types of music reactive type visual art contents
3. Research on the content of music sound reactive type visual art
3.1 Analysis of the times changes of music sound visual art
3.2 Case analysis
4. Conclusion
References

키워드

저자

• Qianqian Jiang [ Doctor's course, Dept. of Multimedia, Graduate School of Digital Image and Contents, Dongguk University, Korea ]
• Jean-Hun Chung [ Professor, Dept. of Multimedia, Graduate School of Digital Image and Contents, Dongguk University, Korea ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  The International Journal of Advanced Smart Convergence

• 간기

  계간

• pISSN

  2288-2847

• eISSN

  2288-2855

• 수록기간

  2012~2025

• 십진분류

  KDC 326 DDC 380