Earticle

초록

영어

Virginia Woolf’s Mrs. Dalloway (1925) problematizes bourgeois housewifery as a condition that puts a married woman like Clarissa Dalloway into a contradictory position in which she is at once a beneficiary of bourgeois institutions and its victim. While housewifery binds her, because she is also dependent on the dominant order and inseparable from it, she is simultaneously an accomplice and a critic. I call this ambivalent condition “bourgeois dissidence,” a concept that Raymond Williams develops to describe the writers’ ambivalent position in the inceptive period of modernism and the avant-garde, which is bourgeois but dissident, and dissident but bourgeois. This dual position is one of the key characteristics of modernists as they strived to counter the orthodox and invent the new. As such, their works contain the potential to develop into politics of wide spectrum— from fascism to communism, from aesthetic conservativism to artistically innovative progressivism, and from solipsism to realism. Clarissa, too, as a modernist figure, occupies this double position in which she is a bourgeois but dissident and a dissident but a bourgeois. Her seeming doubleness contains, like modernism does, the potential to turn into new art, new position, and new politics.

키워드

저자

• Ahn, Sunyoung [ Kangwon National University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810