This article examines the literary predecessors of contemporary South Korean wealth inequality critiques, arguing for the inseparability of such parables, particularly Lee Chang-dong’s (Yi Ch’angdong 李滄東) Burning (Pŏning 버닝2018), from a contested tradition of writing about generational poverty and discrimination. Focusing on literary representations of the Cold War-era guilt-by-association system or yŏnjwaje 緣坐制, it draws out the relationship between the anti-communist epistemologies of authoritarian regimes, the right-wing literature of Yi Munyŏl 李文烈, and the leftist-nationalist allegories of Lee, a novelist before his turn to film. United by what Eve Sedgwick has identified as paranoid epistemologies of exposure, these diverse forms of writing revolved around the investigation of the identity of the alleged traitor, often the spectral leftist father blamed for the socioeconomic immobility of his surviving family members. Whether reactionary or subversive, such texts affirmed the inescapability and rigidity of patrilineal inheritance, an understanding of identity and kinship that the feminist works of Ch’oe Yun 崔允 and Pak Wansŏ 朴婉緖 would challenge in two critical ways. First, these works highlighted the mutual constitution of war and domesticity, destabilizing visions of the individual or family as separate from and aligned against the social order; second, they revealed the origins of an enduring Cold War subjectivity of exposure in Korean War-era state apparatuses of identification, drawing attention to the complicity of the act of writing in the perpetuation of the sociocultural structure of the yŏnjwaje even after its legal abolition.
목차
Abstract Introduction Paranoid Knowledge and the Partisan Father The Literary Disavowal of the Family Lee Chang-dong and the Rehabilitation of the Father Resisting Confession and Identification Conclusion References
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.