Earticle

초록

영어

In this paper, using bibliographic research methods, I considered the creative activities of Kitao Shigemasa Ⅱ, also known as Ukiyoe artist Kitao Yosimaru, since 1822. As a result, first　of all, I pointed out that in 1822, the names of Kitao Yosimaru　and Kitao Sigemasa Ⅱ were used together. As a background, I infer that the work “Tamanae-monogatari”, which was drawn by Kitao Yosimaru, who had just become Kitao Masayosi’s disciple, had a strategy to flicker the image of the first Sigemasa who died two years ago. Second, unlike 1822, which had a complicated appearance with a mixture of signatures, from 1823 to 1826, he worked as “Kitao Yosimaru”. Kitao Yosimaru shows his work as a disciple of Kitao, but from 1827 he will finally be signed as“Kitao Sigemasa”. As the background, I guessed as follows. At first, he was not recognized by Kitao Sigemasa Group, and first became a disciple of Kitao Masayosi, the high-ranking disciple of Sigemasa Ⅰ. However, it is inferred that his teacher, Masayosi, also died in 1824, and in　1827, Yosimaru inherited the name of Masayosi’s teacher, Shigemasa, and was officially recognized as Sigemasa Ⅱ. Finally, I categorized, charted and presented the symbol of Kitao SigemasaⅡ, also known as Utagawa Yosimaru.

목차

1. 緒言
2. 文政五年の北尾美丸こと｢北尾重政画｣合巻
2.1 『魁武功之花』奥付の『玉苗物語』
2.2 『玉苗物語』
3. 文政期の画号：歌川美丸→北尾美丸←→北尾重政
3.1 文政六年以降：北尾美丸
3.2 文政十年の｢二代目北尾重政｣襲名
3.3 文政十一年以降
4. 天保期の北尾重政画『五虎猛勇伝』の多様な印記
5. 結語に代えて：印記表と補足
【参考文献】

키워드

저자

• 康志賢 [ 강지현 | 全南大学校 国際学部 日本学専攻 教授, 日本近世文学 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495