Earticle

초록

영어

The emergence of independent cinema in the United States in the 1960s was the earliest sign of post-modernism in the country, which was often referred to as "underground cinema". The works, in a counter-cultural stance, overturned the thought of depth of traditional art cinema, not exploring the meaningful relationship between form and content in terms of artistic technique, but creating an aesthetic that echoed the "Pop Art" of the time by collaging established means of expression with traditional and fashionable ones in a consumerist manner. In this paper, American independent cinema was examined, firstly by analyzing the local and external factors that contributed to its rise. Secondly, two genres of independent cinema core paradigm, "underground cinema" and "pop cinema" were focused on, as a way of demonstrating the attention and influence that independent cinema has gained. Finally, we found that independent cinemas are also seeking for alternative exploration and diverse expressions in the context of the times.

목차

Abstract
1. INTRODUCTION
2. THE RISE OF INDEPENDENT PRODUCTION
3. UNDERGROUND CINEMA
4. ANDY WARHOL AND POP CINEMA
5. THE UNUSUAL EXPLORATION AND DIVERSE EXPRESSION
6. CONCLUSION
REFERENCES

키워드

저자

• Nan Li [ Ph.D. candidate, Dept. of Business Administration, Namseoul Univ., Korea ]
• Heonyong Jung [ Prof., Dept. of Business Administration, Namseoul Univ., Korea ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  International Journal of Advanced Culture Technology(IJACT)

• 간기

  계간

• pISSN

  2288-7202

• eISSN

  2288-7318

• 수록기간

  2013~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 600 DDC 700