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Making It “Real” : Arthur Miller’s The Crucible and Cold War Liberal Masculinity

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제34권 4호 (2021.12)바로가기
  • 페이지
    pp.237-253
  • 저자
    Junghyun Hwang
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A405823

원문정보

초록

영어
This paper examines Arthur Miller’s 1953 The Crucible as a work reflective of the contemporary cold war liberal consensus. The playwright expresses a sense of disorientation that he often felt what was apparently “real” as “surreal,” indicating the overwhelming irrationality of the collective hysteria under the cold war regime. Miller’s sense of distorted reality is consonant with the general bewilderment in America at the unfolding of McCarthyism. In particular, the intimation that his play seeks the real as an alternative to perverse social reality is reminiscent of the cold war “psychological” turn of realism—so-called postwar “new realism” that elevated the imaginary realm of art as the site of the “truly real” over the totalitarian social order of realpolitik, which was seen by many as “irrational” and “surreal.” Miller seems well aware that the ideological coordinates of the Salemite and McCarthyite Real are determined by the regimes of religious/political authoritarianism. Nevertheless, he ends up colluding with the existing structure of power, thus wittingly or unwittingly, appropriating rather than demystifying its mechanisms of empowerment. Specifically, The Crucible illustrates how Miller, by seizing upon the rationale of cold war liberalism, attempts to claim power for white male liberal subjectivity, while displacing his sense of guilt onto gendered and racialized others. In the final analysis, it may be Miller’s masculinist desire for power that has obfuscated his critical clairvoyance, leading him to sublimate the raw Real into his fantasmatic Real and join the cold war liberal flight into the psychologized registers of American mythology.

목차

Ⅰ. Introduction
Ⅱ. The Fantasmatic Real of Cold War Liberalism
Ⅲ. “Leave Me My Name!”: John Proctor as the Subject of Liberal Masculinity
Ⅳ. Conclusion
Works Cited
Abstract

저자

  • Junghyun Hwang [ Assistant Professor, Hansung University ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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