Earticle

초록

영어

This paper explores British society of the 1990s through three representative British working class films, Ken Loach’s Raining Stones, Mark Herman’s Brassed Off, and Peter Cattaneo’s The Full Monty. As substantial cultural texts, these films portray the social, political, economic changes British society confronted since Thatcher, whose powerful neo-liberalist policies fundamentally transformed the topography of British society. In the films, the British working class of the 1990s suffers from mass unemployment, destruction of traditional communities, and loss of traditional masculinity of working class males. Above all, these films suggest many agenda British society should face in relation to the formation of the underclass, impaired national identity, and the changing of gender identity after Thatcher’s Britain. This paper analyses the ways these three films represent the crises of individual, community and gender identity in post-industrial British society, and the visions they suggest as the ideologic and cultural reactions to these crises.

목차

Ⅰ. 1990년대 영국 사회와 노동계층 영화
Ⅱ. 노동계층의 해체와 계급정치의 실종―<레이닝 스톤>
Ⅲ. 노동계층 공동체의 위기와 집단적 연대의 회복―<브래스드 오프>
Ⅳ. 탈산업시대 남성성의 위기와 그 상상적 회복―<풀 몬티>
Ⅴ. 맺으며
인용문헌
Abstract

키워드

저자

• 이혜란 [ Hyeran Lee | 전남대학교 강사 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학21 [English21]

• 간기

  계간

• pISSN

  1738-4052

• 수록기간

  1967~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 820