Earticle

초록

영어

In the 1960s, the Japanese manga culture expanded its readership to young people. While this expansion of readership strengthened the commercial nature of manga, it also gave rise to experimental and radical works that took literature and art as their reference points. In particular, as the discourse of self-expression, according to which literature or art should express the author’s self, flourished in Japan, some manga artists tried to express their selves through the medium of manga. Among them, Nagashima Shinji was one of the most popular comics artists of the time. He produced many stories about manga artists. In Fūten, published in the late 1960s, Nagashima used himself as the model for the protagonist, a technique that is reminiscent of the tradition of the autobiographical novel in the modern Japanese literature. This paper focuses on the new cultural intersection of self-expression and self-representation in the manga culture in the 1960s, focusing on the production and reception of Fūten. Referring to the cultural contexts, such as the development of manga as a youth culture, the popularization of self-expression, and the increase of paratexts about manga artists in the comics magazine COM, this paper will clarify the cultural and media environment in which Fūten was produced and received as a self-representational text.

목차

1. はじめに
2. 青年マンガの成立と永島慎二
3. ｢自己表現｣言説のマンガ文化への浸潤
4. ｢漫画家残酷物語｣から｢フーテン｣へ
5. ｢私小説マンガ｣が成立する読書環境の成立
6. おわりに
参考文献

키워드

저자

• 杉本章吾 [ Sugimoto, Shogo | 高麗大学校 日語日文学科 副教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495