Earticle

초록

영어

Synchronization is one of the most important factors in dubbing. which is a fact established repeatedly by many different sources. Chaume(2004b) defined the boundaries of the subject and classified types of synchronization: phonetic or lip synchronization; isochrony or synchrony between utterances and pauses; and kinetic synchrony or body movement synchrony. This study aims to analyze the three types of synchronizations found in English-dubbed Korean films that were released in North America in a DVD format with dubbed soundtracks. The study shows that bilabial and labial consonants in original Korean dialogues were dealt with under careful scrutiny in dubbed versions when actors were shot in close-ups. The duration of the actors’ utterance, or isochrony, was strictly followed and sometimes “overly” observed to match the lips of actors on mute. Kinetic synchrony was more respected when actors were shown in full shot. Dubbing on mute was also found to coincide with actors’ body movement on screen. The examples of creative use of synchronizations and skillful addition on mute suggest that synchronization is not just a constraint that forces translators to put their skills to use, but an opportunity for translators to move away from literal translation and put forward creative alternatives.

목차

Abstract
I. 서론
II. 이론적 배경
1. 더빙 동기화의 정의
2. 동기화의 분류
III. 연구방법
1. 분석 텍스트
2. 분석 방법
IV. 분석결과
1. 입 모양 동기화
2. 입 길이 동기화
3. 신체동작 동기화
IV. 결론
참고문헌

키워드

저자

• 윤미선 [ Yoon, Miseon | 동국대 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  통역과 번역 [Interpretation and Translation]

• 간기

  연3회

• pISSN

  1229-6074

• 수록기간

  1999~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 717 DDC 400