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The Principle of ‘Breath’: Towards a State of a Performer’s ‘Sincerity’
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- 발행기관
- 국제문화기술진흥원 바로가기
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- 간행물
- International Journal of Advanced Culture Technology(IJACT) KCI 등재 바로가기
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- 통권
- Volume 9 Number 3 (2021.09)바로가기
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- 페이지
- pp.62-67
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- 저자
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- 언어
- 영어(ENG)
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- URL
- https://www.earticle.net/Article/A400977
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
원문정보
초록
- 영어
- This thesis examines the term a performer’s sincerity taking into consideration issues of the bodily engagement and specifically addressing the place of a performer’s respiration. The main emphasis in this research will be on the tendency to a performer’s anticipation in contrast to a state of being in the moment on stage. Exploring and reconsidering the process of training the performer’s body reminds us the significance of rigorous training in an appropriate way(s) within which the performer’s body enables to meet the principles of acting with the nature of theatre as his/her body is responding and subordinating to the moment on stage. Here, this thesis argues that we need to acknowledge that initiating any bodily movement has to understood and then inhabited by negating a performer’s active willingness where the source of energy, breathing roots, then transfers through the entire body rather than the mere use of the external forms or muscles. To be precise, maintaining the internal energy through the moment informs how the performer interrogates where and what s/he is in a state of whole body engagement preventing the performer’s self-doubt about what s/he is doing in the next moment(s). The process should be considered as a qualitative bodily shift gazing into his/her inner territory to reach behind a linguistic and/or an intellectual sense. The research finding suggests that a performer’s art is to allow the animating respiration in order to facilitate and enliven his/her entire body as oneness which in turn moves his/her scene partner(s) as well as the spectator in the here and now.
목차
Abstract
1. INTRODUCTION
2. THE POINT OF DEPARTURE AGAINST FROM HAVING A TENDENCY TO ‘ANTICIPATE’ OF A PERFORMER
3. THE PLACE OF A PERFORMER’S RESPIRATION TO BE IN A STATE OF ‘SINCERITY’ ON STAGE
4. CONCLUSION
REFERENCE
키워드
A Performer’s Breathing Ordinariness Bodily Transition A State of Sincerity Being in the Moment저자
간행물 정보
발행기관
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- 발행기관명
- 국제문화기술진흥원 [The International Promotion Agency of Culture Technology]
- 설립연도
- 2009
- 분야
- 공학>공학일반
- 소개
- 본 진흥원은 문화기술(Culture Technology) 관련 산·학·연·관으로 구성된 비영리 단체이다. 문화기술(CT)은 정보통신기술(ICT), 문화적 사고 기반의 예술, 인문학, 디자인, 사회과학기술이 접목된 신융합기술(New Convergence Technology, NCT)로 정의한다. 인간의 삶의 질을 향상시키고, 진보된 방향으로 변화시키고, 문화기술 관련 분야의 학술 및 기술의 발전과 진흥에 공헌하기 위하여, 제3조의 필요한 사업을 행함을 그 목적으로 한다.
간행물
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- 간행물명
- International Journal of Advanced Culture Technology(IJACT)
- 간기
- 계간
- pISSN
- 2288-7202
- eISSN
- 2288-7318
- 수록기간
- 2013~2025
- 등재여부
- KCI 등재
- 십진분류
- KDC 600 DDC 700
이 권호 내 다른 논문 / International Journal of Advanced Culture Technology(IJACT) Volume 9 Number 3
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