Earticle

초록

영어

This paper examines the performer’s self-reflective process in Lisa Kron’s autobiographical therapeutic theatre. Kron’s 101 Humiliating Stories is based on Kron’s subconscious anxiety about revealing her sexual identity as a lesbian performer in high school reunion. In 2.5 Minute Ride, the description of remains of Holocaust leads to the discovery of her father’s lost history and present identity. The metatheatrical play Well is about Kron’s conscious effort to work through her internal trauma related to her mother’s illness. The conflict in each play appears in the derailing of the story’s planned course, resulting in a performer’s completely unanticipated revelation. The unsettled vulnerability from disclosure can be a mirror of performer’s inner state, which reaches for self-awareness and healing. This unique characteristics of Kron’s works corresponds to a method of Renée Emunah’s Self-Revelatory Performance. It is defined as both a form of drama therapy and a genre of experimental theatre, focusing on performer’s current life issues in need of healing. This article thus explores Kron’s journey of self-discovery through the emotionally intense scenes and mastery of a theatrical quality from various dramatic devices.

목차

I. 서론
II. 자전극과 치유연극의 상관관계
III. 자기표출 공연에서의 공연자의 성찰 과정
IV. 크론의 자전극의 자기발견의 여정
V. 결론
Works Cited
Abstract

키워드

저자

• 우현선 [ Woo, Hyunsun | 경북대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810