Earticle

초록

영어

This article looks into Tanikazki Junichiro’s novel “Jinmenso” to explore his aspiration towards the film media. His perception of the film media is displayed in his essay “The Present and Future of Moving Pictures”, published around the time he was conceiving “Jinmenso”. In this essay Tanizaki paid attention to one of the aspects of film - ‘looking and feeling real’. As film makes any fictional world seem true, the audience can experience both reality and fantasy. Tanizaki focused on this borderlessness of cinema and wrote the novel “Jinmenso”. The short novel contains several borderlessness factors. In terms of form, Tanizaki introduced screenplay writing into the novel. Content-wise, as the movie world in the novel influences the novel world, the double structure plot of movie-in-novel becomes ambiguous. The story is told in rumors which also have the effect of breaking the border between truth and lies. The borderlessness shown in “Jinmenso” is actually the borderlessness of the film media. Tanizaki firmly believed that by using this characteristics of film he might navigate the world of the ‘real’ fictional world, which his stories were aimed at.

목차

1. はじめに
2. ｢活動写真の現在と将来｣に表れる谷崎の映画観
3. ｢人面疽｣に表れた谷崎の映画観
3.1 小説の世界と映画の世界の｢融合｣
3.2 ｢伝聞｣による現実と幻想の混同
3.3 映画の象徴としての｢人面疽｣
4. おわりに
【参考文献】

키워드

저자

• 任ダハム [ 임대함 | 嘉泉大学 アジア文化研究所 研究教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495