미시마 유키오의 『사드후작 부인』론 -등장인물의 갈등과 이율배반성을 중심으로-
A study on Mishima yukio’s “Marquise of Sade” focusing on the conflict of character and principle of antinomy
This paper examines Mishima Yukio’s “Marquis of Sade” focusing on the characters’ conflicts. The complex relationship between women surrounding Sade shows the principle of antinomy, in which the values of vice and virtue overlap. And Rene’s virtue becomes another face of evil. This principle can also be seen in the conflict between Rene and her mother. Rene’s parable breaks the stereotype by reversing divinity and disgrace. She also criticizes self-centered thinking of judging others with a one-sided view. Rene, who embodies passive women’s principles, on the other hand, implies her latent active power through the term “invention,” which contains independence and identity. Rene, who read the Justine story and realized that she was trapped in the story made by Sade, fully feels the subjective behavior of prison literature writer Sade, the formidable power of creation. Rene, who has confirmed the subjective will and power of Sade in prison, is also choosing to move away from passive women’s principles and become an independent being. The principle of the antinomy of interest, which appears in “Marquis of Sade” is a device that reverses compatible values and criticizes the rigidity of stereotypes. This principle can be said to show what Mishima Yukio calls the “most inscrutable and most authentic thing of humanity.”
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.