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国家と芸能 -近代の能と日清・日露戦争-
Nation and Performing Arts - the modern Noh and Sino-Japanese War and Russo-Japanese War -

첫 페이지 보기
  • 발행기관
    한국일본언어문화학회 바로가기
  • 간행물
    일본언어문화 KCI 등재 바로가기
  • 통권
    제54집 (2021.04)바로가기
  • 페이지
    pp.143-164
  • 저자
    徐禎完
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A394223

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원문정보

초록

영어
This paper aims to investigate how the Sino-Japanese War and the Russo- Japanese war had affected Noh’s cultural movement. Noh around 1887(Meiji 20) had failed to spread among the young generation, and its existence was in danger. However, the victory in the Sino-Japanese war brought general vitality throughout the Japanese society as explained in the magazine that was published in 1904 “everything has risen suddenly(諸事勃興)”. In cultural art, the Military art and Kawakami Otojiro’s War drama had prevailed, and the world of cultural art actively supported the nation’s conduct of war through the collection. Therefore, the Sino-Japanese war was the driving force of Japan’s rapid unity and transition as a nation-state. Likewise, Noh established a solid foothold as a nation-state’s performing arts by donating the funds raised from the performance to the military for war while protecting the Noh actors living internally by providing more opportunity to perform as they suffered from war. This was the relationship between the Sino-Japanese war and Noh. As Noh built a solid social foothold, it published the first edition Nohgaku(能楽) which was a technical magazine for Noh in 1902. When the Russo-Japanese war broke out in 1904, arguments like “Yamato Soul and Noh”, “War and Noh”, “Military prowess and Noh(勇武と能楽)” became popular and the creation of ‘Noh martial song(能楽軍歌)’ and an argument “Noh of Warlike spirit(尚武の能楽)” from ‘Bushido’ turned Noh into the State entertainment which was to respond and participate to the nation. As such prestige was strengthened through the Second Sino-Japanese war and Pacific war, it developed into ‘Japanese spirit/Nihon Seishin(日本精神、日本精神の国粋)’ under the total war system and established a firm status in the Japanese culture. Noh reverted to ‘Noh of Yugen(幽玄の能)’ before one knows after the dissolution of the Japanese empire. It has desisted being warlike and returned to Yugen that carries literary aesthetic consciousness. In this process, the author deems that apoptosis – a phenomenon in that the main body kills a part of its own cells for survival - had occurred. More precise and specific consideration will be covered in the next research.

목차

1. はじめに
2. 日清戦争と能
3. 日露戦争と能
4. むすびにかえて
参考文献

키워드

Sino-Japanese War Russo-Japanese War A Modern History of Noh Noh of Warlike spirit Noh martial song apoptosis 日清戦争 日露戦争 近代能楽史 尚武の能楽 能楽軍歌 アポトーシス

저자

  • 徐禎完 [ 서정완 | 翰林大學校日本學科 敎授, 専門は能樂史 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
  • 설립연도
    2001
  • 분야
    인문학>일본어와문학
  • 소개
    본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.

간행물

  • 간행물명
    일본언어문화 [Journal of japanese Language and Culture]
  • 간기
    계간
  • pISSN
    1598-9585
  • 수록기간
    2002~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 730 DDC 495

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