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“幂律分布”视角下的中国公共艺术研究
Research on Chinese Public Art from the perspective of “Power-law Distribution”
“멱률분포”시각하적중국공공예술연구

첫 페이지 보기
  • 발행기관
    부산대학교 중국전략연구소(구 부산대학교 중국연구소) 바로가기
  • 간행물
    Journal of China Studies KCI 등재 바로가기
  • 통권
    제24권 1호 (2021.03)바로가기
  • 페이지
    pp.105-120
  • 저자
    吴松, 李颖
  • 언어
    중국어(CHI)
  • URL
    https://www.earticle.net/Article/A392964

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원문정보

초록

영어
Power-law distribution exists in the world around us. The foretime research on power law distribution has been well-developed and complete widely used in the areas of physics, sociology, biology and finance. The public art is the most extensive form of contact between the public and art such as likes and dislikes in contact. Power-law distribution is the basic attribute of public art. Power-law distribution of public art means that the academic level of public art works is inversely proportional to the power index of the number of audiences. That is to say, the number of audiences of public artworks are easy to access can be understood by many. On the contrary the exploratory public art can only be discussed and studied by the professionals and insiders. This research is based on the study of the index relationship between the academic nature of public artworks and the number of audiences. There are four divisions of power-law distribution in public art: experimental public art (dominated by individuality), commercial public art (Individuality is greater than generality), mainstream public art (Generality is greater than individuality) and daily aesthetic public art (dominated by generality). The number increases exponentially in turn, and plays a role in their respective niches, and forms competition and evolution, promoting the development of public art. Based on the power-law distribution phenomenon in the field of mathematics, this paper divides public art into four types. It expounds the respective value orientation and attributes into four types of public art from the perspectives of politics, economics and daily aesthetics. Its research significance lies in systematically making sense of the important roles played by different types of public art in social development using the logic of mathematical model. This research method is different from the past public art research in the perspective of traditional art history. It not only focuses on the public art itself but also brings the aesthetic object (audience group) of public art into the research category. It points out the relationships between them. This study of public art provides new possibilities.

목차

Abstract
1. 引题
2. 研究公共艺术的另一种视角——幂律分布
3. 公共艺术的幂律分布情况
3.1 公共艺术幂律分布现象的两个因子—“公共”与“艺术”
3.2 因子组合产生的四种公共艺术类型
3.3 公共艺术四种类型的演化迭代机制
3.4 公共艺术与 “平均审美值”
4. 结论
参考文献

키워드

Power-law Public art Generality Individuality Publicity

저자

  • 吴松 [ 오송 | 安养大学, 一般大学院 ]
  • 李颖 [ 이영 | 安养大学, 教养大学 ] Corresponding Author

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    부산대학교 중국전략연구소(구 부산대학교 중국연구소) [Institute of China Strategy]
  • 설립연도
    2006
  • 분야
    사회과학>사회복지학
  • 소개
    본 연구소의 설립을 통해 우선 한중 양국 국민의 상호이해와 교류증진을 위한 인문, 사회과학적인 연구는 물론이고, 이를 통해 기업(인)이 중국에 안정적인 정착과 교류를 할 수 있는 각종 환경을 조성하고자 한다. 게다가 본 연구소는 기존의 연구소의 기능과는 달리 단순한 학술 교류에 머물지 않고 인적 교류를 통해 양국관계의 이해를 증진하고 나아가 한국과 중국의 각종 프로젝트를 적극 유치, 개발함으로써 지속적으로 재원의 창출을 도모하고자 한다.

간행물

  • 간행물명
    Journal of China Studies
  • 간기
    계간
  • pISSN
    1975-5902
  • eISSN
    3022-5590
  • 수록기간
    2006~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 912 DDC 951

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