Earticle

초록

영어

This essay explores Jean-Paul Sartre’s No Exit in terms of his theory of the other’s “look” by focusing on the relationships among Garcin, Inez, and Estelle. According to Sartre’s theory, the other affects my body as being-for-itself, and my being is objectified by the “look” of the other. Thus, to Sartre, other people are Hell; however, at the same time, “the other is the indispensable mediator between myself and me.” In addition, this essay deals with Bentham’s Panopticon and the way of producing “docile bodies” in Michel Foucault’s Discipline and Punish. According to Foucault, the Panopticon is defined as a mechanism of power over the prisoners’ bodies in which docile bodies are produced by being constantly observed by an inspector. In this context, the integration of Foucault’s studies and Sartre’s discussion of the other’s “look” and the body allows us to reinterpret the dynamic relationships among the three characters in No Exit and to find the conflictual nature of interpersonal relationships in the play. In doing so, this essay identifies the interrelationship between Sartre and Foucault, both of whom deal with the “look” and the body.

목차

I. 서론
II. 타자의 시선과 존재론적 지위
III. 가시화된 신체와 분할과 배척의 원리
1. 일망 감시시설과 가시화된 신체
2. 분할과 배척의 원리, 순종하는 신체
IV. 가시성의 역전과 존재양식의 변화
V. 나가는 글
인용문헌
Abstract

키워드

저자

• 이지현 [ Jihyeon Lee | 부산대학교 대학원생 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학21 [English21]

• 간기

  계간

• pISSN

  1738-4052

• 수록기간

  1967~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 820