Earticle

초록

영어

Due to social distancing caused by COVID 19, music concerts have not been allowed at home and abroad, and it is not known when overseas concerts will be able to resume unless the pandemics calm down, even if they are available. Meanwhile, people consume much more content through online services such as Netflix and YouTube than before. Under these circumstances, the music industry expects the virtual livestreamed performance to restore sluggish live performances again and bring about a digital renaissance. It also leads to the issue of reestablishing a copyright system regarding a livestreamed performance and of preparing a new rate of royalty standards for the use of works in OTT. In addition, a multi-territorial licensing of r ights in musical works is necessary to resolve copyright issues efficiently by applying the same term s to all countries from where the audience comes. In this paper, I examine the legal nature and the decision of copyright fees of performances as an integral part of the music industry.

목차

Abstract
1. Introduction
2. Culture Technology with Livestreamed Performance
2.1 The Convergence of Culture Technology and Music Performance
2.2 TPM to prevent illegal copying
3. Copyright Issues in the New Media Environment
3.1 Establishment of a copyright for a livestreamed performance
3.2 Copyright License Issues on OTT
3.3 E- License on Livestreamed Performance
4. Conclusion
References

키워드

저자

• Kyungsuk Kim [ Associate Professor of the Department of Intellectual Property, Sangmyung University, Seoul, Korea ] Corresponding author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  The International Journal of Advanced Smart Convergence

• 간기

  계간

• pISSN

  2288-2847

• eISSN

  2288-2855

• 수록기간

  2012~2025

• 십진분류

  KDC 326 DDC 380