The purpose of this study is to examine the entities otherized by Misemono(見世物) and their cultural and historic significance of imperialistic and modern period Japan on the premise of the pornographic properties potentially immanent in the act of seeing. Misemono, which has been developed into a popular attraction since the Muromachi period(室町時代), has existed as a space of spectacle for ordinary people to enjoy. On the other hand, it is also true that the desire of gazing the other and the pathological phenomenon accompanied by that desire, have existed under the name of mass entertainment. During the period when Japan emerged as a new power of imperialistic and colonial state, new deformities of 'lusus naturae'(freak of nature) began to appear in Misemono. These entities, or people, have been otherized as representations of “non-nationals”(非国民) beyond the wall of popular entertainment. Several ethnic groups that remained in pre-modern state outside of Japan were exhibited as objects of the exhibition, and the wounded remnants who served their own country and became disabled in war, became Misemono-genin(見世物芸人) and degenerated as public clowns for earning their livelihood. These historic facts clearly demonstrate the process of otherization through Misemono in pre-war and post-war period of Japanese society. It converges on the process of the building and integrating a modern nation state of Japan and the Empire of Japan. However, the power that operates in the object of Misemono is not reverted to a simple diagram of the state verses the people, and the dynamic relationship in which the desires of various subjects are complicatedly intersected is to be premised. Therefore, in this paper, I will discuss the matter of otherization through Misemono with a variety of relational networks.
목차
Ⅰ. 머리말 Ⅱ. 미세모노와 타자화의 역사 Ⅲ. 근대의 시선과 신체의 미세모노화 Ⅳ. 비국민으로서의 신체 Ⅴ. 맺음말 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.