This article is a part of my Doctoral dissertation, named “A study of the development, characteristics, and knowledge of Thai popular singing”, which was conducted using qualitative Ethnomusicology research methodologies. The data was collected by documents, songs, and interviewing the appropriate people who have knowledge and ability of Thai popular singing. Then, the data was examined, analyzed, synthesized, and compiled according to the objectives. The characteristics of Thai popular singing during 1925 - 1967 were divided into 8 items, which consisted of (1) Concerning the singing in Thai popular songs, (2) The vocal registers, (3) vibration, (5) dynamics, (6) The last word of a phrase, (7) Ad-lib singing, and (8) Interpretation and emotional expression. Thai popular singing was developed continuously to singing skill in Western style and completely around 1967 and it was accepted widely by Thai people and became the models of how to sing until now.
목차
Abstract Introduction The characteristics of Thai popular singing during 1925-1967 1. Concerning the singing in Thai popular songs 2. The vocal registers 3. Vibration 4. Dynamic 5. The last word of a phrase 6. Singing with incorrect pronunciation 7. Ad-lib singing 8. Interpretation and emotional expression Conclusion References
키워드
popular singingpopular songmusichow to singThai singing
저자
Nutthan Inkhong [ Ph.D. candidate in music at the college of music, Mahidol University, Thailand. ]
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.