Earticle

초록

영어

The general definition of animation has over again become problematic particularly with the advent of digitally generated moving images. These problems are mostly due to a new character of digital images, which are no longer exclusively associated with the index of their photographic record and their real-time movements, but are extensively generated from digital data. Regardless of profound changes over the last couple of decades in our media environment, animation is still concerned about “how to create motion,” which is inevitably related to both our methods of artistic expression and our perception of the world, i.e., “how to generate emotion” in a fundamental way. This study, therefore, aims to inquire into what “makes senses” of animation in the age of digital image, which provides another state of sentience. In order to further explore the issue of senses in the animation image, I will examine two main epistemological foundations of the sense of animation, which includes the concept of motion and body in the combination of a traditional and digital respect. Considering it is only at the starting point of my research, this paper will present brief epistemological remarks on the subject, “writing e/motion,” which is expected to efficiently reveal the kinetic and corporeal nature of animation image beyond the time.

목차

Introduction: Animation as an Academic Discipline and Its Changing Definition
Making Senses of Animation I: Generating Motion and Synthetic Imagery
Making Senses of Animation II: Animating Bodies and Motion Capture
Writing E/motion in the Age of Digital Animation: Context Sensing
References
[Abstract]

키워드

저자

• Minhyoung Kim [ Lecturer / Korea University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  에피스테메 [EPISTÉMÈ]

• 간기

  계간

• pISSN

  1976-9660

• 수록기간

  2007~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 331.05 DDC 301