Earticle

초록

영어

The process of constructing an image such as in the action of collective memory allows the formation of images, linguistic expression, and processes of identity that leave their mark over the time. The narrative organization of a story adapts the corporeal visual unit to the distinct expressive substances and to the structural possibilities of the stories in their adaptation from literature to film and to telenovelas (soap opera). In each adaptation, changes are made where the intertextuality and the intersemiotics act as strategies in the interpretive cooperation of the receptor, using complex visual processes. The body emerges as a part of a semiotic material available to narrate the events and it becomes the principal organizer of the meaning. The body is the instrument and the means at the same time. The meanings of the concept of bodyness and the semantics matrixes are manifested in television fiction and are identifiable due to a semiotic analysis of the story. In this way we observe that it refers to a condition present in the body that permits the identification as part of a process of perception.

목차

Introduction: the corporeal body as a process of meaning
1. Semiotics and the study of the body
2. Semiotics, body and ethics
3. The body as a means of expression and the content of social values
4. The body as a model of analysis
5. The use of the body in the series Sin tetas no hay paraiso, Rosario Tijeras and El cartel de los sapos
6. Corporeal semiotic and the body as a narrative device
References
[Abstract]

키워드

저자

• Alfredo Tenoch Cid Jurado [ Research Professor / Metropolitan Autonomous University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  에피스테메 [EPISTÉMÈ]

• 간기

  계간

• pISSN

  1976-9660

• 수록기간

  2007~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 331.05 DDC 301