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Research Article

Collaboration with Stakeholders for Conservation of Contemporary Art

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  • 발행기관
    한국문화유산보존과학회(구 한국문화재보존과학회) 바로가기
  • 간행물
    보존과학회지 KCI 등재 바로가기
  • 통권
    제36권 제1호 (2020.02)바로가기
  • 페이지
    pp.37-46
  • 저자
    Hee Hong Kwon, Gi Sun Lee
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A370169

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원문정보

초록

영어
It is difficult to predict the kinds of damage to contemporary art because of the diversity of materials and experimental techniques used. This makes it hard to conserve. Furthermore, the artist’s intention in contemporary art is emerging as one of the important issues to be handled in conservation treatment. Thus, collaboration with various stakeholders such as the artists themselves, bereaved family members, and foundations have become more important than ever from the viewpoint of planning conservation treatment. The trustworthiness of conservation treatment would be significantly enhanced if conservation treatment reflected the understanding and respect of not only the appearance of the work, but also the social/cultural context inherent in the work. This should be done, in particular, through collaboration with the artists. In this study, various case studies at home and abroad were analyzed as to explore collaboration methods with various stakeholders for objective and trustworthy conservation treatment. Along the way, the study raised the need to establish new conservation ethics for contemporary art. It is expected that the outcomes of the study could be used as basic material to preserve the originality of contemporary artwork and to set the direction for conservation practice.

목차

ABSTRACT
1. INTRODUCTION
2. CODE OF ETHICS FOR THE CONSERVATION OF CONTEMPORARY ARTWORK
3. CONSERVATION OF CONTEMPORARY ARTWORK AND MORAL RIGHTS OF ARTISTS
4. EXAMPLES INVOLVING NEW CONSERVATION ETHICS FOR CONTEMPORARY ARTWORK
5. COLLABORATION WITH VARIOUS STAKEHOLDERS TO PRESERVE THE MMCA’S COLLECTION
5.1. “Androgyn and the Wheels” of Magdalena Abakanowicz
5.2. “Black Nana” of Niki de Saint Phalle
5.3. “Venetian Rhapsody-The Power of Bluff” by Cody Choi
6. CONCLUSIONS
REFERENCES

키워드

Contemporary art Stakeholders Conservation ethics Author’s moral right Authenticity

저자

  • Hee Hong Kwon [ Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea, Cheongju 28501, Korea ] Corresponding Author
  • Gi Sun Lee [ Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea, Cheongju 28501, Korea ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국문화유산보존과학회(구 한국문화재보존과학회) [The Korea Society of Conservation Science for Cultural Heritage]
  • 설립연도
    2003
  • 분야
    자연과학>자연과학일반
  • 소개
    본 법인은 문화재 과학적 보존에 관한 제반 학술적 연구 발전 보급을 위하여 문화재 보존기술 개발과 수리 및 복원에 관한 방법을 연구함으로서 문화재의 보존 및 계승에 기여함을 그 목적으로 한다.

간행물

  • 간행물명
    보존과학회지 [Journal of Conservation Science]
  • 간기
    연5회
  • pISSN
    1225-5459
  • eISSN
    2287-9781
  • 수록기간
    2003~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 602 DDC 700

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