Earticle

초록

영어

This paper analyzes the two typical 1950’s Japanese literary melodrama, The Munekata Sisters and Portrait of Madame Yuki which deal with the heroine’s adultery, focusing on their male protagonists and the film criticism dominated by male critics. The male protagonists show the stereotypical “the feminine man” in Japanese melodrama of the 1930s, established by Ken Uehara who himself played leading roles in both films. However, their excessive feminization, influenced by Christian sexual morality under the American occupation, made them virtually “impotent” which led them to be criticized by male critics. Additionally, this paper argues that although both films have been categorized as women’s genre and thought to represent the inner minds of the women they targeted, they were possibly advertised and distributed aiming at male audiences simultaneously. Apparently, not only that they enjoyed these so-called women’s genre, they owned the rights to define and historicize the genre itself.

일본어

本稿では、1950年代に流行した既婚女性の｢不倫｣や｢姦通｣を描いた女性文芸映画ジャンルを、二つの代表作を中心に、上原謙が扮した男性主人公の人物設定と男性中心の批評空間に焦点を当てて分析した。両方とも、男性主人公は30年代から女性メロドラマ映画を通して構築された上原の二枚目としてのスター･イメージ、すなわち｢フェミニン｣な男性像を踏襲しながらも、同時代の性的規範に影響され、｢(性的)不能｣ともいうべき男性人物として作り上げられていた。次に本稿は、これまで映画史において、女性をターゲットにし、彼女たちの内面や欲望を代弁するジャンルとして語られてきたこれらの映画が、実際には男性観客をも念頭に置いて宣伝･流通された可能性があることを確認した。また、ホモソーシャルな批評空間のなかで、これらの｢女性映画｣は男たちによって評価され、彼らの言葉によって語られ続けてきたことを明らかにした。

목차

1. 들어가며
2. 우에하라 겐(上原謙)의 스타 이미지와 여성 멜로드라마
3. 혼외 연애 서사의 대립하는 두 남성 유형
4. 불능(不能)인 남자주인공과 비평공간의 남성 주체
5. 마치며
参考文献

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키워드

저자

• 김보경 [ Kim, BoKyoung | 고려대학교 교양교육원 초빙교수. 일본영상문화, 일본근현대문학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495