Culture was an always “overloaded” concept during Korea’s colonial period. Like the ideas of literature and art, it was one of the main routes through which Koreans developed a socio-political sense when they were forbidden to speak about politics. Starting in the 1920s especially, Koreans used culture to establish intellectual foundations of modernity, cultivate the masses’ aesthetic senses, and seriously engage with colonial reality. Furthermore, the idea of culture became more complicated in the late 1930s as the colonial government more aggressively employed the cultural idea to propagate a series of wars while mainlining Japan’s ascendency in East Asia. Reflecting upon such a conceptual tug of war by different socio-political actors, this article uses text-mining to explore the changing meanings of culture in a 1930s popular magazine. Run by the proponents of culture as a forefront of social movements, Samch’ŏlli (“Threethousand ri,” which figuratively refers to Korea) was a monthly magazine that lasted for more than a decade from 1929 to 1941, unlike many short-lived journals under censorship. By examining the frequency of the keywords that composed the theme of culture, and the semantic network of culture’s cooccurring words, we diachronically trace the polyphonic meanings of culture in different timeframes. These quantitative and linguistic methods suggest that culture’s semantic network drawn from a 1930s periodical was far larger, more diverse in composition, and more influential than explained in previous studies, especially in its interplay with the various socio-political actors in launching collective projects by Korean intellectuals and the colonial government.
목차
Abstract The Concept of Culture in Korea in the 1910s and 1920s Preparations for Text-Mining Diachronic Analysis of Keywords The Network Analysis of Co-Occurring Words 1. Phase One: Culture as an Overall Representation of the Reality of the Korean Masses and Their Practices 2. Phase Two: Culture and Literature as a Means to Promote the National Enlightenment Project 3. Phase Three: Rise of Culture, Art, and Film to Make the Imperial Subject Conclusion References
키워드
Samch‘ŏllimunhwa (culture)text-miningdigital humanitiescolonial Korea
저자
LEE JAE-YON [ An associate professor of Korean Literature in the Division of General Studies, Ulsan National Institute of Science Technology, Korea. ]
KIM HYUNJOO [ A professor in the Department of Korean Language and Literature, Yonsei University, Korea. ]
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.