Earticle

초록

영어

This study aims to investigate the feminine writing in Nora Okja Keller’s Comfort Woman focusing on Hélène Cixous’ feminine writing. According to Hélène Cixous, feminine writing is a subversive method against the phallogocentric and logocentric system. In the logocentric system, women have been considered as being inferior symbolizing passivity/nature/body etc. to men considered as being of activity/ culture/mind etc. This binary concept can be deconstructed through feminine writing that takes place in the ‘between’ site of the dichotomic concepts. Women can challenge the logocentric system accepting others and destabilizing language system. Comfort Woman by Nora Okja Keller has some features of feminine writing. First, using shamanism, the multiple meanings of feminine writing are specifically personified. Akiko as a shaman is identified with other characters accepting others in her body. Second, Korean folk tales represent the ambivalence of stories, and the ability of transition and deception that are essential for women to survive. Third, the river and the song symbolize women’s nonstop resistance through the image of fluidity and movement. With these characteristics, feminine writing in Comfort Woman helps women to move one step further to the women’s solidarity.

목차

I. 서론
II. 본론
1. 엘렌 식수의 여성적 글쓰기
2. 샤머니즘으로 나타난 다중적 정체성
3. 전래 동화를 통한 여성적 글쓰기
4. 강과 노래로 상징되는 끝없는 저항
III. 결론
Works Cited
Abstract

키워드

저자

• 신혜정 [ Shin, Hyejeung | 경희대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810