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Silk Road transmission of the yogo (hourglass drum) types depicted in Dunhuang mural paintings to China, Korea and Japan

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  • 발행기관
    아시아음악학회 바로가기
  • 간행물
    Asian Musicology 바로가기
  • 통권
    Vol.29 (2019.05)바로가기
  • 페이지
    pp.125-142
  • 저자
    CHUN In pyong
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A362027

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원문정보

초록

영어
The yogo (hourglass drum, literally ‘waist drum’) types have been commonly used in a variety of musical genres in different cultures, particularly in the three countries – China, Korea and Japan. This article focuses on exploring the different types of the hourglass drum referred to the written sources and the currently musical practices: how they were transmitted and used differently among those countries. There are several sources to be traced back to its term and origin. According to Yue Shu (樂書; Book on Music) Vol. 125 written by Chen Yang (陳暘) in the Sung Dynasty, “the yogo types were originated from India (出於南蠻天竺之國也)”. The Nayta Sastra, performing arts manuscript dated to B.C. 2~3rd century in India, confirms this. Reliefs of Ajanta Caves and collections at Sikar Museum, built in the 10th Century in Rajasthan, also support its origin. The hourglass drums of Dunhuang mural painting can be found in the picture of Performing Before Buddhist (佛前舞樂會) portrayed in the Illustration of Pure World (淨土變相圖). f these the percussion instrument can be found in View Wuliangshoujing Disguised Annotations 觀無量壽經變圖 of Cave 127 at Mogao Caves, the Sung and Tang Dynasties and Diangjiazha Tomb (張家閘 317-430 AD) in Gansu, Jiuquan. The oldest sources of the Korea hourglass drum remain in the two relics: one is Gyeyumyeong Amitabha SamjonSamyeonSeoksang (癸酉銘 阿彌陀佛 三尊四面石像; Four Sides Stone Statue of Three Buddhists of Amitabha with Inscription of “Gyeyu Year”), the Unified Silla (673); the other is the real janggu which was excavated at the Isoeng Mountain Fortress (二聖山城) in Hanam City, Gyeonggi Province. The Japanese hourglass drum shown in the relics is the kotsuzumi, the 8th century which is housed in MIHO Museum. It is also found in the painting (855) of Avalokiteśvara Bodhisattva Statue Halo (觀音菩薩像光背) at the Nigatsu-do (or Hall of the Second Month (二月堂)) of Todai Temple (東大寺). They have been used in Gagaku (Court Music) and Nogaku (能樂; Theatre Music): the hourglasses used in the former are the san-no-tsuzumi and kakko, whereas those used in the latter include the ō-tsuzumi, taiko and ko-tsuzumi . The tsuzumi has been preserved its name and form recorded as the tsuzumi in the old document.

목차


Introduction
A study on the origin of the yogo (hourglass drum)
On the hourglass shaped drums depicted in Dunhuang mural paintings
On the hourglass drums used in China, Korea and Japan
The Chinese hourglass drums
The Korean hourglass shaped drums
The Japanese hourglass shaped drums
Conclusions
References

키워드

Silk road yogo (hourglass drum) Dunhuang mural painting Yue Shu (樂書) Chinese Yoko Korean Jang gu Japanese kotsuzumi

저자

  • CHUN In pyong [ Chung Ang Univewrsity ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    아시아음악학회 [Council for Asian Musicology]
  • 설립연도
    1999
  • 분야
    예술체육>음악학
  • 소개
    아시아에서 벌어지는 모든 음악활동을 연구합니다. 특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다. 이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.

간행물

  • 간행물명
    Asian Musicology
  • 간기
    연간
  • pISSN
    1229-9413
  • 수록기간
    2002~2024
  • 십진분류
    KDC 670 DDC 780

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