Earticle

초록

영어

Contemporary Chinese notions of translation have to be understood against a globalized world where international trading and business transactions are the order of the day. This paper proposes to discuss one current school of thinking about translation in China. In the past decade or so, translation has been seen as playing a crucial part in exporting Chinese culture in order to build a favorable national image and increase the country’s soft power. This has occurred as a result of the perception of an imbalance between the importation of things foreign (qing jinlai) and the exportation of things Chinese (song chuqu). To compete successfully on the international scene, cultural exports have to be promoted. Since globalization forces are dominating the scene, translation becomes an “industry” governed by the operational logic of a “socialist market economy”—a notion unheard of two decades ago. While translation can still be seen as inter-linguistic transfer, its value is no longer to be judged on the basis of whether the rendering is faithful or not. The “classical” theories of translation—wen (refinement), zhi (straightforwardness), xindaya (faithfulness, fluency and elegance), zhiyi (literal translation) and yiyi (free translation)—are slowly losing ground to the new conceptualizations of translation in the contemporary world, and the present paper focuses on the one most discussed, debated and disseminated in the past two decades or so.

목차

Abstract
Leo Tak-hung CHAN
Bibliography

저자

• Leo Tak-hung Chan [ Lingnan University, Hong Kong ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국외국어대학교 통번역연구소 학술대회

• 간기

  반년간

• 수록기간

  2016~2026

• 십진분류

  KDC 717 DDC 400