Earticle

초록

영어

2019 is the 120th birth anniversary of Lao She (1899-1966), a famous Chinese contemporary novelist and dramatist. He was one of the most significant figures of 20th-century Chinese literature, and best known for his novel Rickshaw Boy and other works. With a dozen teaching-material samples, this paper aims to review the narrative element in the English translation version of Camel Xiangzi—A Beijing Opera (Chinese script by Zhong Wennong, English rendition by Chen Rong) in terms of “story” and “discourse analysis”, and to expose the technical details behind, with proper attention to literary facts concerned with Lao She’s original novel version and madame Zhong’s own Chinese script version in particular. Based on the assumption that the order in story is fixed even if the discourse presents a different order, the main text focuses on three sections: A. narrative structuring, B. characters as narrators in story-events weaving, C. Beijing opera aria-singing and its counterparts, in order to analyze opera narrative as an independent system--this play, the continuum of events presupposing the total set of all conceivable events revolving around the hero Xiangzi (i.e.how his-storia of the rickshaw-puller becomes history)--with an eye to pay due respect to glocal (local +global) dissemination efforts at homeland audience as well as overseas readership.

키워드

저자

• Ren Xiaomei [ Beijing Foreign Studies University, Beijing, China ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국외국어대학교 통번역연구소 학술대회

• 간기

  반년간

• 수록기간

  2016~2026

• 십진분류

  KDC 717 DDC 400