Earticle

초록

영어

Stanley Kubrick’s 1968 film titled 2001: A Space Odyssey has generally been considered as a monumental piece of mainstream epic science-fiction. However, this film can be evaluated as having properties of experimental cinema by boldly trying technical innovation and aesthetic experiment in various aspects. From the filmmaker’s process to filmic structure, technical innovations, screening method, mise-en-scène, cinematic style and its (auto-)reflexivity, 2001: A Space Odyssey is highly experimental. We will attempt to separate out aspects of 2001: A Space Odyssey that derive explicitly from traditions in experimental cinema, whether adopting those traditions or innovating within them, by identifying the film’s experimental strategies and relating them to other experimental films that came before and after. This will show that the purely formal characteristics of the film’s conception carry meanings on their own relating to Kubrick’s personal expression, ideas about cinema and philosophy that go beyond the scope of the film’s narrative.

목차

Abstract
1. INTRODUCTION
2. THE FILMMAKER’S PROCESS
3. FILMIC STRUCTURE
4. TECHNICAL INNOVATIONS
5. MULTI-SCREEN PROJECTION
6. REPRESENTATIONS OF THE EYE
7. ABSTRACTION
8. GEOMETRICAL COMPOSITION
9. PERSONAL EXPRESSION
10. REFERENCES TO FILM MATERIAL
11. OTHER MAINSTREAM EXPERIMENTAL FILMS
12. CONCLUSION
ACKNOWLEDGEMENT
REFERENCES

키워드

저자

• Pip Chodorov [ Department of Film & Digital Media, Dongguk University, Seoul, South Korea ]
• Minchol Cha [ Department of Film Studies, Dong-eui University, Busan, South Korea ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  International Journal of Advanced Culture Technology(IJACT)

• 간기

  계간

• pISSN

  2288-7202

• eISSN

  2288-7318

• 수록기간

  2013~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 600 DDC 700