This essay aims at probing into Kim Hines’ position on the issue of the uniqueness of the Holocaust through the analysis of the contrapuntal structure and the songs-within-the-play in Home on the Mornin’ Train. As for the contrapuntal structure, the play dramatizes two separate escape stories, especially the underground movement in Europe in 1939 and the Underground Railroad in America in 1839 in each scene. As for the songs-within-the play, 6 songs reinforce the theme of the play, that is escape from the political oppression/ persecution to freedom. Besides, some lines of Baruch and Karl reveal the universality of the Holocaust. Some similarities between the two stories are that American slavery and European Nazi ideology were based on racism, that there were some supporters who tried to save the fugitives, and that nothing could defeat the will to escape from oppression/persecution to freedom. In conclusion, the play dramatizes the underground movement in Europe as an extension of the Underground Railroad.
목차
I. 서론 II. 대위법적 구조 III. 극 중 노래들 IV. 바루흐와 칼을 통해 나타난 홀로코스트의 보편성 V. 결론 Works Cited Abstract
키워드
contrapuntal structureHolocaustHome on the Mornin’ Trainsongs-within-the playUnderground Railroad대위 법적 구조홀로코스트『아침 기차를 타고 본향으로』극 중 노래들지하철도 운동
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]