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中国魏晋南北朝诗歌中的海洋意象初探
A Study on the Ocean Imagery in the Poetry of Wei Jin, Northern and Southern Dynasties in China

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제57집 (2018.12)바로가기
  • 페이지
    pp.139-153
  • 저자
    晁亚若, 金昌庆, 袁曉利
  • 언어
    중국어(CHI)
  • URL
    https://www.earticle.net/Article/A344845

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원문정보

초록

영어
As an important concept in literary theory, imagery theory has undergone a long process of development. But there are different characteristics in ancient and modern times, western countries and China. Western imagery is more concerned with Xiang, whereas the Chinese classical imagery theory focuses on Yi,it argues that images are the unification of subjective feelings and objects. This paper mainly uses Chinese classical imagery theory to analyze ocean imagery. Based on the development of imagery theory, we firstly defined the definition of ocean imagery as follows: It is the visible phenomena associated with the ocean which can be utilized to describe, imply, express emotions and ambitions by the poets. Then we choose the wei jin, Northern and Southern Dynasties which is the turning point in the development of Chinese literature as our range of study and select the most closely related style of writing —— poetry as our transverse research center, take the electronic data library and paper literature as basic research data to make the detailed statistics and rough structural classification. In terms of basic meaning, it can be divided into seven categories: the first category is the imagery of the basic meaning generally refer to the sea; the second is the basic meaning of sea water and its existence; the third is the imagery of the basic meaning associated with the sea area; the forth is the imagery of the basic meaning associated with maritime life; the fifth category is the imagery of the basic meaning associated with marine organism; the sixth class is the image related to the ocean landscape; The seventh category of an imagery is related to marine myth or religion. In terms of structure, the ocean imagery can be divided into single and complex form. At last, we make the functional classification of ocean imagery based on the specific poems: descriptive ocean imagery, metaphorically ocean imagery and symbolic ocean imagery.

목차

1. 研究背景
2. 意象理论的嬗变
1) 现代意象概念的多重解读
2) 中国古典意象理论的发展
3. 魏晋南北朝诗歌中的海洋意象概览
1) 海洋意象界说
2) 魏晋南北朝诗歌中海洋意象的统计及结构类型
4. 魏晋南北朝诗歌中的海洋意象功能类型
1) 描述性海洋意象
2) 比喻性海洋意象
3) 象征性海洋意象
5. 结语
参考文献
논문초록

키워드

ocean imagery imagery theory statistics structural classification functional classification 海洋意象 意象理论 统计 结构类型 功能类型

저자

  • 晁亚若 [ 조아약 | 东西大学孔子学院汉语教师(F.A) ]
  • 金昌庆 [ 김창경 | 釜庆大学教授(C.A) ]
  • 袁曉利 [ 원효리 | 釜庆大学硕士生 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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