Earticle

초록

영어

This article describes the generational perspectives revealed in the views of three Korean poets, representing three generations of poetic circles, through their appropriations of the Irish poet W. B. Yeats, who experienced colonial rule as they did. Within the history of modern Korean poetry, Kim Ŏk (b. 1896) stands as a representative of the 1920s, Kim Kirim (b. 1908) of the 1930s, and Kim Suyŏng (1921–1968) of the postcolonial years, especially the 1960s. Though different in their styles and perspectives, they shared the roles of poet, literary critic, and translator and were flagship figures in their respective eras. Looking into the works and poetics of these three poets is tantamount to exploring the history of modern Korean poetry spanning the period between the 1920s and 1960s. Drawing on the fact that all three poets were interested in translating and interpreting Yeats, this article aims to trace the genealogy of Korean modernist poetry by exploring the generational differences in their views on poetry through their mediation of Yeats.

목차

Abstract
I. Genealogy of Korean Modernist Poetic Circles and Generational Dispute
II. Kim Kirim’s Appropriation of W. B. Yeats to Criticize Kim Ŏk
III. W. B. Yeats Portrayed in Kim Suyŏng’s Translation and Criticism
IV. Conclusion
References

키워드

저자

• KIM HANSUNG [ An assistant professor in the Department of Korean Language and Literature, Sookmyung Women’s University, Korea. ]
• CHOI JUNGA [ A lecturer in the Humanitas College, Kyung Hee University, Korea. ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Acta Koreana

• 간기

  반년간

• pISSN

  1520-7412

• 수록기간

  1998~2025

• 등재여부

  KCI 등재,SCOPUS,A&,HCI

• 십진분류

  KDC 912 DDC 951