Earticle

초록

영어

Geographic effect is an extremely important factor that affects the formation and development of a civilization. Northeast Asia, including China, Japan, South Korea, North Korea, Russia (the Far East and Siberia) and Mongolia, is a cultural concept formed by geopolitics. As an important part of spiritual culture, the films in Northeast Asian countries originate from the unique geographical features, economic systems and values of Northeast Asia. They have a long history of film culture communication and exchange and jointly form a film culture community in Northeast Asia. Geographic effect is an extremely important factor that affects the formation and development of a civilization. Northeast Asia, including China, Japan, South Korea, North Korea, Russia (the Far East and Siberia) and Mongolia, is a cultural concept formed by geographic relations. As an important part of spiritual culture, the movies in Northeast Asian countries originate from the unique geographical features, economic systems and values of Northeast Asia, and had a long history of film culture communication and exchange, forming a cultural community of Northeast Asian film together. The author believes that from the economic structure point of view, countries in Northeast Asia have the idea of economic integration and specific implementation policies. Northeast Asian regional economic integration has taken shape and constitutes the economic basis of northeast Asian film culture. From the perspective of film policy, countries in Northeast Asia have formulated effective policies on film cooperation and long-term cooperation in filmmaking to form the driving force behind the film culture in Northeast Asia. From the perspective of spiritual cultural core, the strong cohesion of the Confucian cultural circle and the historical long-term film and cultural exchanges have allowed Northeast Asian countries to form a common spiritual bond. The other culture perspective of the Western culture has also given Northeast Asian film culture a holistic image. Of course, at present, the film cooperation in various countries in Northeast Asia also lacks the deviation of policy support from other countries and the deviation of policy direction. There are also differences in culture among different countries. However, the author believes that the common oriental cultural background and the needs of market cooperation will promote the formation of a cultural community in northeast Asia.

목차

Abstract
Ⅰ. Economic integration of Northeast Asia is the economic basis for the formation of the film culture in Northeast Asia
Ⅱ. Northeast Asian film industry cooperation policies and cooperation are the driving force behind the film culture in Northeast Asia
1. The film policy of the Northeast Asian countries is beneficial to the effective expansion of the steps of the Northeast Asian Film cooperation
2．The cooperation practice of film in Northeast Asian countries also provides reference for cooperation mode of film culture in Northeast Asia
3. The shortcomings of the film cooperation in the countries of Northeast Asia
Ⅲ. The common spiritual and cultural core of all countries in Northeast Asia is the cohesion of the film culture in Northeast Asia
1. The strong cohesion of the Confucian culture circle constitutes the spiritual bond of the film culture in Northeast Asia
2. Northeast Asian film long-term cultural exchanges promote the Northeast Asian film culture to form a close whole
3. The self-presentation of northeast Asian Film builds a collective image from the perspective of the other's culture
References

키워드

저자

• Wen Caiyun [ Northeast Normal University, China ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  다문화와 교육 [Journal of Multiculture and Education]

• 간기

  계간

• pISSN

  2508-271X

• 수록기간

  2016~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 331 DDC 301