Earticle

초록

영어

D. H. Lawrence had been interested in all kinds of arts including painting as well as writing for his whole life. In The Rainbow and Women in Love there are overwelming pictorial elements expressed in an opulent color sense. Such an aesthetic is to make up for the gap of a language system between signifier and signified, and to give an immediate visionary awareness to readers. This paper aims to examine the pictorial or visual elements in which Lawrence narrativizes the reality of objects in The Rainbow and Women in Love, comparing to his nonfiction writings including essays and letters related to his alternative aesthetic. In the chapter, “Class-Room”, Birkin as the representative of D. H. Lawrence, tells the meaning and importance of making pictures in catching the reality of an object. And in the chapter, “Sketch-Book”, Lawrence embodies the visionary awareness of Ursula and Gudren with the use of delicate and colorful visual imageries. Furthermore, Lawrence suggests copying a picture delicately could be closer to the reality of an object than reading books in the chapter of Birkin’s copying a Chinese picture. This examination proves how Lawrence deconstructs the binary opposition of Logocentrism in the Western Culture with the use of various colorful signifiers, how much he tries to find a new alternative writing to get over the gap of signifier and signified, and how much he intentionally puts his text in the flux of the present not to be fixed.

목차

I
 II. 회화적인 기법을 통한 대안적인 글쓰기
 III. 대조적이고 다채로운 색감: 「석탄-먼지」장면
 IV. 활력있는 움직임: 「수상-파티」와 「토끼」 장면
 V. 총체적인 언어-예술: 「달빛」 장면
 VI. 나가면서
 Works Cited
 Abstract

키워드

저자

• 김경미 [ Kim, Kyung-Mi | 경동대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810