Earticle

초록

영어

Under the national strategic framework of “Belt and Road”, the exchange and integration of Chinese films with geopolitical countries or regions have become a brand-new issue for the research of Chinese films and the development of film industry in the present and future periods. Centering on the mainland of China, Korea and Japan in Northeast Asia as main research categories, it is the core issue of this article to consider how to construct the possibility of the integrated development of Northeast Asian film market under the strategic thinking of “Belt and Road”. From the perspective of the cultural community of Northeast Asian films, it can be seen that Northeast Asian countries are confronted with contradictions such as the one between the inheritance and innovation of traditional culture and the transcendence of culture in the process of modernization. For Northeast Asian films, a narrative art for the general public, the topics such as how to build a symbolic system of its own and explore the possibilities of the transformation from tradition to modernity, how to obtain a new way of discourse management in the conflict between the traditional cultural concept and the modern life context and how to construct the cultural subjectivity of its own will become the core content of the construction of the cultural community of Northeast Asian films. Through the discussion from the three levels of “Chinese-barbarian system----modernity characteristic of Northeast Asian film culture, ethical aesthetics----anti-Hollywood representation of Northeast Asian film culture and humanistic feelings----common value of Northeast Asian film culture in coping with the crisis of modernity”, this article attempts to depict the possible development path of cultural community of Northeast Asian film from “why, what and what for”.

목차

Abstract
 Main Body:
 Ⅰ. Chinese-barbarian system-modernity characteristic of Northeast Asian film culture
  1. Northeast Asian cultural circle
  2. Special modernity context of Northeast Asian cultural circle
 Ⅱ. Ethical aesthetics-anti-Hollywood film representation of Northeast Asian film culture
  1. Northeast Asian films’ character emotion of promoting and developing modern humanity with consanguineous kinship
  2. Northeast Asian films’ character quality of keeping special faith
  3. Northeast Asian films’ narrative logic of solving the modernity predicament with family ethics and morality
  4. Northeast Asian films’ image and theme of pursuing social justice with social ethics
 Ⅲ. Humanistic feelings-common value of Northeast Asian film culture in coping with the crisis of modernity
  1. Organic integration of modern consciousness and Confucian humanistic tradition in Northeast Asian films
  2. The significance of solving the modernity dilemma by the cultural community of Northeast Asian films
 Ⅳ. Conclusion
 References

키워드

저자

• Huo Meichen [ Northeast Normal University, China ]
• Wang Lu [ Northeast Normal University, China ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  다문화와 교육 [Journal of Multiculture and Education]

• 간기

  계간

• pISSN

  2508-271X

• 수록기간

  2016~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 331 DDC 301