ハラ~ホロ系反復形オノマトペの意味変化について(Ⅱ) - 近世語~現代語における形態ㆍ意味用法の変化を中心に -
On Semantic Changes(Ⅱ) of the Repetitive Onomatopoée with the alternation of hara and horo - With a Focus on Morphological and Semantic Changes of it Uses in the Early Modern Japanese through the Late Modern Japanese - hara~horo계 반복형 오노마토페의 의미변화에 대해서(Ⅱ) - 근세어~현대어에 있어서 형태・의미용법의 변화를 중심으로 -
The purpose of this study is to examine the morphological and semantic changes of the Onomatopoée with the alternation of hara and horo from the Early Modern Japanese through the Late Modern Japanese. We have already reported that the adjectival base hara was productively derivational as shown in the alternation of hara and horo in the Ancient Japanese. Since the late 8th century, morphologically and semantically diverse forms have been derived from hara, whose core meaning was assumed to be san (to scatter). During its derivational process, its auditory sense became a fossilized form in the Middle Japanese. In the morphological aspect, the Late Modern Japanese has gradually lost a variety of forms of Onomatopoée with the alternation found in the Early Modern Japanese literature, which mainly comprises a lot of spoken materials such as playscripts. Meanwhile the Onomatopoée with voiced consonants such as bara-bara and boro-boro has increased, reaching up to 90% of all the hara-horo type of Onomatopoée in the Late Modern Japanese. In the semantic aspect, the Onomatopoée has acquired a new meaning, viz. psychological situation, from its original literal meaning. horori, originally depicting a situation in which tears fall, was seantically extended to cover a poor, pitiful situation where one may cry. As the Onomatopoée with bara gained a sense of something scattered, its voiceless counterpart—i.e. the Onomatopoée with hara-hara—began to be extended to mean a psychologically and emotionally messy situation.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.