Earticle

초록

영어

This study investigates the repetitive transformation of gaze in Women in Love of D. H. Lawrence. In recognition of the gap between the signifier and the signified, Lawrence believes that “all things flow and change, and even change is not absolute.” In this respect he argues that the novelist should balance “the trembling instability” between reality and representation in a text. Such fluidity of the instant is enacted in Women in Love, especially by transforming the characters’ gaze through the position of “looking at” or “being looked at.” Focusing on each gaze of Gerald, Gudrun, Birkin, Ursula, and Loerke in Women in Love, Lawrence visualizes and stages the scenes in the text theatrically. In staging each scene for readers, Lawrence makes the characters change their roles of “looking at” or “being looked at” in circulation. Moreover, the narrative in the text plays a role to perform it effectively with the construction of a system of self-conscious looking at its spectacle. This way one character’s gaze system is subverted, deconstructed by another one, and left as a signifier or a metamorphic trace. Lawrence intends to transform the text playfully, change the gaze capriciously, and pursue only the temporary living presence. The transformation of gaze in Women in Love is a kind of a device to fictionalize his text itself.

목차

I. 들어가며
 II. 바라보는 주체와 대상의 전복—1: 제럴드와 구드런
 III. 바라보는 주체와 대상의 전복—2: 버킨과 어슐라
 IV. 또 다른 눈: 뢰르케
 V. 나가며
 Works Cited
 Abstract

키워드

저자

• 김경미 [ Kim, Kyung-Mi | 경동대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810