Chinese American communities have been part of the United States since the 19th century. Currently, their high rate of immigration has made Chinese Americans one of the country’s fastest growing communities. However, in Miami, only 0.3% of the population are Chinese Americans. In this local setting, in the words of Su Zheng, music serves as an important “signifier that produces complex cultural meanings.”1 Because traditional music forms one of the most significant aspects of music in China, it is critical to explore the extent to which Chinese American musical culture has developed and changed. This paper discusses the function of Chinese music influences, Chinese and Chinese Americans in their new diasporic setting, and how music reflects individual or group identities. This paper explores one type of Chinese American communities in Miami, centering on the Chinese Baptist Church. In this example, the present study attempts to show how music, among Chinese Americans in Miami, involves the preservation and enactment of cultural traditions in daily life, religion, and festivals, through which diasporic communities maintain their sense of identity and place. The music of Chinese Americans in Miami has established its own hybrid tradition that is unique to its own local and national roots, helping to shape the contemporary local diaspora. This paper fills a gap in the study of the Chinese American experience, both in Miami in particular and the United States in general. Through different research methods, I found that the Chinese American musical community is an exceptionally complex diasporic world that, in many respects, markedly contrasts with established Chinese settlements in the United States. This complexity is a product of both the unique cultural environment of Miami and the individual experiences of Chinese American immigrants and their music-making.
목차
Abstract CHAPTER 1 1.1. Introduction 1.2. Literature Review 1.3. Ethnomusicological and Cultural Theory 1.4. Methodology 1.5. Organization and Research Contribution CHAPTER 2 2.1. Chinese Church Music in Miami 2.2. A Brief History of the Chinese Baptist Church of Miami 2.3. Order of Worship Services 2.4. Musical Activities 2.5. Musical Characteristics of Chinese Hymns CHAPTER 3 3.1. Conclusions References
키워드
Musical identitiesChinese AmericandiasporaMiamicommunityChinese Baptist Church
저자
Yiyu Zhang [ Academic Office Director in the Department of Music at the Nanfang College of the Sun Yat-sen University in China. ]
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.