Although the economy of North Korea is weak, when it comes to promoting its political agenda, resources can easily be found. The performance contexts and the musical function of the Ǔnhasu Kwanhyŏnaktan1 of the Democratic People’s Republic of Korea (DPRK, hereafter North Korea) were different from those of other orchestras in the world, since it was formed not simply to provide artistic diversion, but to unite the public, and to unify the ideology of the people. Like other North Korean artists who give public performances, the musicians of the Ǔnhasu Orchestra were directed to promote governmental policies and to foster patriotism among the public via musical events and performances. Studying the Ǔnhasu Orchestra is important, because, although the orchestra was short-lived, it shows the changing perspective of North Korean performing arts in the 21st century. My paper deals with the motivations which underlay the formation of the Ǔnhasu Orchestra, and discusses the various social functions it fulfilled, until its disbandment in late 2013. This study investigates the performance contexts and the performance style of the orchestra, as well as socio-political aspects in relation to North Korea’s musical diplomacy.2
목차
Abstract Background Performance Contexts Socio-political Aspects Singing Patriotism Social Standing of North Korean Performing Arts Performance Style Musical Diplomacy and the Ǔnhasu Orchestra Paris Concert Conclusion References
키워드
North Korean performing artsNorth Korean cultural diplomacyinmin kayochuch’e palsŏngbŏpRi Sŏlju
저자
Yeonok Jang [ freelance lecturer on Korean music ]
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.