Earticle

초록

영어

Changdan is one of the essential elements of Korean music, which is used in various kinds of music, from singing, instrumental playing, and to dance accompaniment. The importance of changdan is especially significant in education of Korean traditional music in publics schools, for singing is one of the core activities in those schools. This study has examined types and structures of the changdans, being used as accompaniments of Korean traditional songs, and then developed strategies for utilizing changdans in public school teaching. The results are as follows: Sixteen types of changdans are used in public school music textbooks, including : ChinyangjoㆍChungmoriㆍN?rin-ChungmoriㆍChajin-ChungmoriㆍChungjungmoriㆍKutg?riㆍChajin- Kutg?riㆍChajinmoriㆍN?rin-ChajinmoriㆍTanmoriㆍH?imoriㆍSemach'iㆍT'ary?ngㆍChajin-T'ary?ngㆍrmri ㆍ?-Chungmori. Among these some types are the same except for tempo. Therefore, it can be concluded that total eleven types of changdans are being used in the public school music textbooks. Eleven types of changdans are distinguished by different mixtures of meter, rhythm pattern, tempo, dynamics. These eleven types of changdans can be grouped into five types according to the type of meters which are most significant structural element. Five types of meters are twelve-beat meter, six- beat meter, four-beat meter, three-beat meter, and compound meters. These five types of meters can, again, be divided according to duple meters and triple meters, or be grouped into N?rinㆍP'y? ngㆍChajin according to their tempos, or be grouped according to the presence and positions of accents. Strategies for application of these findings have been developed as follows: The songs in twelve-beat, six-beat, and three-beat meters can be accompanied by Chungmori in duple meters. The six-beat meter can be divided either into duple or triple meters. ?-Chungmori is in duple meter, Chinyangjo in triple meter. ?-Chungmori goes well with 6/4 meter, and Chinyangjo with 18/8. Many Korean traditional song are in four-beat meter, including four types of triple meter including Chungjungmori, Kutg?ri, T'ary?ng, Chajinmori and one of duple meter, That is, four-beat meters can be distinguished according to tempo and position of accents even though these four types use the same time signature of 12/8. Chajinmori is distinguished from other changdans according to tempo. Chungjungmori, Kutg?ri and T'ary?ng are distinguished according to the position of accents. H?imori changdan, often called Tanmori belongs to duple meter, which use the time signature of 4/4, or 2/4. Three-beat meter uses Semach'i changdan in triple meter, which is often with the time signature of 3/4. ?imori is a compound meter, which is a mixture of triple and duple meters. ?imori uses 10/8, but also can use 5/8. The results of this study not only can help public school teachers who teach Korean traditional songs, but also can be used in understanding Korean music in general by providing resources on the concept, basic structure, and relationships of changdan. Furthermore, understanding of basic changdan can be applied to Korean traditional songs of which types changdan are not specified or to teaching of Western style songs with changdan accompaniment. Finally, the results of this study can contribute to understanding of the relationship of rhythmic structures of songs and changdan according to the text. In turn, understanding of this relationship may result in understanding the relationship of lyrics and rhythms of a song. Then, it can be applied to teaching of musical creativity.

목차

I. 머리말
 II. 장단의 구성요소와 종류
 III. 국악가창 반주장단의 구조와 응용
 IV. 맺음말
 〈참고문헌〉
 Abstract

키워드

저자

• 이상규 [ Lee, Sang-Kyu | 전주교대 음악교육과 교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국음악연구 [STUDIES IN KOREAN MUSIC]

• 간기

  반년간

• pISSN

  1975-4604

• 수록기간

  1975~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 679 DDC 780