Okbogo was known as a person who studied Geomungo for 50 years in Jilisan Unsangwon. The location of Unsangwon can be traced as the surroundings of Namwon city Unbong province Okgye village. However, in another side, it is also recorded that if you go up the mountain from Hadong Ssanggyesa, there is Chilbulam (Chilbul temple) and it is also called Unsangwon. There are many related literatures about Okbogo who is well known player for Geomungo (hyunkeum) in Sinla Dynasty and through these literature, I have found out that there might be some relations between Keumdo and Sundo in the Okbogo period. Therefore, in this paper I will summerize all the problems of Keumdo and Sundo in Okbogo. The relationship between the Sinla Dynasty, the Seonga ideology and music is recorded on Cha Ju Hwan's 『Study of Korean Taoist Ideology』. However, the demonstrative material is still not enough. From the above seven historical materials, 『Sinjeungdonggukyeojiseunglarn』 and 『Akhakpyeongo』 shows that the sources that shows about Okbogo's period is 『Sejongsilrok Jiriji』 and according to this historical documents, the Okbogo's life period is traced as Sinla Kyoungdeuk King Period(742~764). Also, the record about Keumsongjung which was located on top of Keomoh mountain is not clear. At present, after the result of the fieldwork, I could not find any trace about Keumsongjung. Also according to Hong Young Seung, there was Keumsongjung in Wolsung but it is not sure. Therefore, the assumption that Okbogo lived in the period of Kyoungdeok King period is to a certain degree have credibility and propriety but Seo Geo Jung thought Okbogo was a person in the period of Jinheong King Period(539~575) and Nam Hyo On described as person in Jinpyoung King Period(579~631), so it is impossible to conclude him as a person who lived during Kyoungdeok King Period because of the difference of the historical dates. Until this time, the period of Okbogo was known as Kyoungdeuk King Period (742-762)based on the recordings of 『Sejongsilrok Jiriji』 and 『Sinjeongdongguk -yeojiseungram』. However, in the 『Samkuksagi』, Yi Chan Yoon Heung's death period was clearly stated and if you look at that year as a center for looking at Okboko's period, the record of Sejongsilrok is no doubtful historical material but it also needs to be reexamined. Even though, if we look at the age of Okbogo's existence period to Kyoungdeok King Period, the problem is that how, when and through what method the Geomungo of Gokuryeo passed down to Sinla and again how it has been connected as Keumdo by Okbogo can not be clearly understood by any historial materials. It is only important to reexamine rather to look at Keumdo as tradition of Keomungo or if there is another meaning inside the word "Keumdo."
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Ⅰ. 내두리 Ⅱ. 금도와 선도에 관련된 사료 Ⅲ. 선도의 문제 Ⅳ. 금도의 문제 Ⅴ. 마무리 〈참고문헌〉 Abstract
한국국악학회는 국악을 연구하여 음악학 및 민족음악의 향상에 기여할 목적으로 1948년 4월 봄에 이혜구, 장사훈, 성경린, 이주환 외 15명의 발기로 발족하여 1963년 12월 14일 사단법인체로 인가취득한 이래 1) 국악의 연구발표 2) 국악 관계자료서 수집 3) 국악에 관한 전시회 및 강연회 개최 4) 국악에 관한 출판사업 5) 국내의 학계간 교류 등의 사업을 진행해 오고 있다. 본 학회는 국악의 연구발표를 4000여회에 가까운 월례발표회를 가졌으며, 20회에 걸친 국악기 및 국악서적 전시회를 열고 3회의 신국악작곡 발표회를 가진 바 있다. 특히 학회에서는 1971년 한국음악연구 제1집을 발간한 이래 현재 제45집 출판에 이르렀으며, 30여종의 고악보 간행, 이혜구 박사 송수기념 음악학 논총, 장사훈 회갑기념 동양음악논총 등 30여권의 단행본을 출판하였다. 또한 1989년 제1회 국악학 전국대회를 열어 한국음악의 쟁점이 되는 주제를 선정하여 전국규모의 학술대회를 개최하고 있으며, 1975년 한·일간의 고려악 연구회를 발족시켜 일본의 음악학자들과의 공동연구로 심포지움을 개최하였으며, 1981년에는 국제전통음악학회(ICTM) 서울대회를 치뤄내고, 1994년에는 제1회 아시아 태평양 민족음악학회(APSE)를 서울에서, 1999년에는 제6회 아시아 태평양 민족음악학회(APSE)를 수원에서 성황리에 치뤄내는 등 외국학회와 교류에 힘써왔다.