The reader is implicitly inscribed in the text the writer creates. This paper explores the readership assumed in Steven’s poetry by critically examining his theories of poetic writing found in his essays and letters and a selection of his poems that metaphorically addresses the issue of the reader/audience. Stevens’ pure, and often abstract, poetry is marked by impenetrability, a natural result of the kind of writing he had intended to write. Stevens considered poetic art an act of the mind, a cognitive process enacting a mind thinking. It’s no accident that his poetry seems indifferent to his readers. His many self-reflexive poems about a mind describing itself are necessarily personal, not social, and Stevens wrote first and foremost for himself. When he did address a particular audience, it was as a prophetic or patriarchal figure addressing the privileged elite. And while he claimed art was something to be experienced rather than understood, his seemingly closed texts don’t leave much room for the reader to participate in the meaning-making process involved in the act of reading. If Stevens is one of greatest of modern poets, he was also the most asocial and apolitical of American poets when considered against the historical climate of the early twentieth century in which he was writing.
목차
Ⅰ Ⅱ Ⅲ Works Cited ABSTRACT
키워드
Wallace Stevensreader theorypoeticsmodern American poetry
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]