Earticle

초록

영어

Literature has been mystified by the Western modern discourses which disregard the socio-historical conditions and signifying processes of literary texts. Providing obvious subjects, the realist texts incorporate their readers into the existing social order. But in the anti-humainst theories, the human subject is not given but constructed through the linguistic, discurisve, and ideological processes and practices. This thesis aims to find the resistant self which makes a strong struggle to the modern “transcendental subject” in literary texts. The resistant self leads to the demystification of literature in which we realize that the modern subject is constructed through the processes and practices of a culture. In Chapter II, we will discuss how the modern subject is constituted and accepted by the people will be discussed. Then, analyzing the metafiction, we will examine “the disappearance of the subject.” In Chapter III, analyzing the “autobiographical writing,” we will try to find the resistant self. In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” an autobiographical text, the narrator refuses to accept the subject provided by the modern European white male discourse by secretly performing her own writing. Writing about not the social subject but her own self is the way the narrator constitutes her identity, so we can find the resistant self in the process of the narrator’s writing.

목차

I. 서론
 II. 언어, 세계, 주체: 메타픽션(Metafiction)
  1. 언어와 세계
  2. 언어와 주체
  3. 역사의 허구화와 주체의 소멸: 『제 5 도살장』
 III. 저항적 글쓰기와 말하는 주체: ｢누런 벽지｣
  1. 자서전적 글쓰기와 말하는 주체
  2. 저항적 자아
  3. 광기와 저항
  4. 저항적 글쓰기
 IV. 결론
 Works Cited
 Abstract

키워드

저자

• 원철 [ Won, Chul | 부산외국어대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810