일원론적 인식 틀과 “감수성의 통합”- 낭만주의 전통에서 본 엘리엇
“Unification of Sensibility” and Monistic Epistemological FrameA Rereading of Romanticism in T. S. Eliot’s Poetics
The relation between modernism and postmodernism can not be described exclusively in terms of dualism, continuity or discontinuity. This means that postmodernism cannot be considered either a pure continuation of its predecessor, modernism, or a complete anti-modernist movement. Likewise, romantic poetics and modernist poetics do not form a relation only in terms of dualism, because some major modernist poems include not a few technical elements, including rhetorical devices and descriptive strategies, which make it impossible to discuss them without regard to romantic poetics. Apparently, T. S. Eliot, a major poet and critic of literary modernism, attacked the romantic poets and poetics for several reasons, which led to his being regarded as an anti-romantic writer. But, as shown in recent revisionist studies, his poems and poetics can not be approached satisfactorily without considering the romantic influences on them. Particularly the ‘unification of sensibility,’ Eliot’s own poetic and critical term, reveals that it has some epistemological affinities with the monistic romantic poetic theories of Coleridge and Wordsworth that require the ‘coalescence of subject and object’ and the ‘vital union of thought and feeling.’ Eliot’s ‘unification of sensibility,’ which means unification of thought and feeling, reflects his monistic poetic ideal that poetry has to represent a unified—not divided—experience. In fact, his whole poetic life seems to be a series of efforts to restore our lost immediate approach to experience and things. The evaluation of his achievements in his texts can vary according to critics. Nevertheless, the fact that ‘unification of sensibility’ was one of his major poetic concerns proves that Eliot‘s poetic world never excludes romantic poetics, including monistic epistemological frame and poetic techniques such as dramatic monologue, animation of natural objects, or personification.
목차
1. 들어가는 말 2. 낭만주의의 일원론적 인식 틀 3. 엘리엇의 일원론적 시학 4. 낭만주의와 엘리엇의 시 5. 맺는 말 Works Cited Abstract
키워드
엘리엇낭만주의일원론이원론감수성의 통합EliotRomanticismmonismdualismunification of sensibility
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]