Lady Macbeth, an ambitious character set in a time when women had little power, is a product of Elizabethan times and is not a feminist by today’s standards. She is not consciously aware of the ways in which the patriarchal system restricts her or of her reactions against that system. The best policy that Lady Macbeth can do to have power under the current social system is to place her husband in its highest position. If so, she can influence his careers in her own. way. Before the murder, Lady Macbeth is dominant. She speaks her mind to Macbeth and manipulates him with her words, unlike the silent and manageable ideal wife. She also uses her sexuality to bend his will. This behavior is in opposition to the Elizabethan ideal of chastity. Furthermore, she refuses to be submissive and yield to her husband as if she were superior. The result of these actions is that she initially directs his behavior instead of allowing him to direct hers. In her dealings with Macbeth, she has been dynamic, absolute and scornful of his hesitancy. However, after the murder, Macbeth ends Lady Macbeth's control by simply keeping her out. Finally, Lady Macbeth faces polarized expectations for masculinity and femininity. She adopts the masculine stereotype because it is associated with power. Since masculinity includes destruction and cruelty, she embraces evil to gain power. This manliness is manifested in her sexuality, her relationship with Macbeth, and her interpretation of life. Her role-changing results in disaster and ends with madness and suicide.
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]