Earticle

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영어

This essay attempts to examine some implications of James Joyce’s “Eveline” and psychoanalytical theory. In mirror stage, according to Lacan, the infant identifies itself with the idealized image of the mirror and feels jouissance under the gaze of the Other, since the gaze indicates the Other’s recognition of the infant as subject, and the first object of desire is to be recognized by the Other. Eveline faces a sad reality, being suppressed by her patriarchal father and feeling no sense of fulfillment from her job. Her lover, Frank, wants her to leave and go to Buenos Aires with him but her mother’s dying words, “Derevaun Seraun! Derevaun Seraun!”, prevent her from going with him. Mrs. Hill has requested that her daughter should play her part as long as she can, but her final craziness, which Eveline a glimpse of this elsewhere where she upholds(unconsciouly) the question of her own jouissance. Lacan was a fervent reader of Joyce’s, he interested in Joyce’s “Lalangue”. In this work, “Lalangue” cannot be interpreted, it’s acting as a symbol. So Eveline, in her final moment, has glimpsed “a distant unknown country” where “she, Eveline” ex-ists.

목차

I. 들어가는 말
 II. 욕망의 대상 프랭크(?), 그리고 먼지
 III. 향락의 끝은 종말이야! - 주이상스
 IV. 상징계의 진입 : 나의 이름-이블린
 V. 결론 : 랄랑그-의미의 불확정성
 Works Cited
 Abstract

키워드

주이상스 라캉 랄랑그 이블린 <대상 소문자 a> 주체 jouissance Lacan Lalangue Eveline object petit a subject

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• 김상구 [ Kim, Sangkoo | 청운대학교 ]

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