Tennyson is well known as one of the most representative Victorian poets and a representative man of the nineteenth century, and there can be no other opinions in this matter. It's not only because he reflected vital parts of the Victorian experiences in his poems, but because his contemporaries recognized him as a leader of their culture and thoughts. That “Tennysonian” became through the years unavoidably synonymous with “Victorian” shows the general public’s reliance on him and his contribution to his age. But he could not satisfy the only role as a spokesman to his age whom the society wanted. He continuously came into conflict between the poet as a public leader and the role as an aesthetic recluse. He was the poet who was more sensitive to the social demand than any other poet in his age. But in an effort to satisfy the public need, Tennyson was torn between two impulses: his natural bent and public’s insistence. His natural bent was for intensely personal expressions. But to provide a firm guidance in the problems of his age, was a task that sometimes appalled him. The result was a conflict between the poet as a public leader and the poet as an aesthetic recluse which is manifested in Poems(1842). He tried to find a reconciliation between the two voices in it. To examine this process is the purpose of this paper.
목차
I II III Works Cited Abstract
키워드
빅토리아 조테니슨『시편들』심미적 은둔자대중의 지도자갈등Victorian ageTennysonPoemsaesthetic reclusepublic readerconflict
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]