This paper aims to examine Toni Morrison’s consistent struggle of remaining whole in this incomplete world in which human beings’ freedom has been restricted. Her job for the truth is to recover the past and re-envision the future by exorcising the trauma, both personal and historic. She makes the African American history including traditional black music and their experiences condensed to the individual and manifested his or her self image in her novels especially through women who suffered from triple discrimination in terms of race, sex, and class. Jazz deals with the transformation of tragic relationship of a love triangle. Morrison explores African Americans’ sorrows, secrets and violent past, tracing their inside cracks caused by the cutoff from ancestors and family. Morrison uses the improvisational quality of jazz music as a narrative strategy to make Jazz a talking book. As Joe and Violet reconstruct their identity through struggling married life, Morrison shows healing process to those who survive the violent confrontation with the repressed past. In conclusion, Morrison exorcises black people’s cycle of trauma in generations and each of them comes to realize the power of his own voice in the process of healing, transformation and insight by narrating his life and defining himself as a subject. Morrison discovers and celebrates the dynamic force and firm determination that have enabled generations of African American to survive.
목차
I. 서론 II. 존재와 부재 : 상실의 흔적 III. 화해와 치유 IV. 결론 Works Cited Abstract
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]