In Louisa May Alcott’s (1832-1888) sensational fiction Behind a Mask, or A Woman’s Power, Jean Muir, the heroine, wears a mask of feminity and acts like an ideal woman of the period to survive economically. She works as a governess for the Coventry family where three unmarried men reside. She understands that she needs to play the role of ‘a little woman’ perfectly to get married to one of these men in the upper class family, which is her only means of economic and social mobility. From the beginning, Jean deliberately uses her ‘womanhood’ to her advantage and achieves her goal by marrying Sir John and becoming Mrs. Coventry. It means that she secures her social status and wealth through marriage. When Edward reads Jean’s letters, disclosing her identity in the conclusion, he discovers that she has treated them, Gerald and Sir John, precisely as they have treated her as commodities to be used for her own ends. Jean is revealed as the culture’s ultimate monster as she has treated men like women. Thus, reading the text from a feminist perspective, the portrayal of Jean as a monster is a social construct. Also, this work illustrates Alcott’s progressive spirit.
목차
I. 서론 II. 가면 뒤의 여성의 힘 III. 결론 Works Cited Abstract
키워드
루이자 메이 올컷『가면 뒤에서』19세기 미국사회가부장 사회여성성결혼괴물Louisa May AlcottBehind a Mask or A Woman’s Powerthe 19th Century American SocietyPatriarchal SocietyFeminityMarriageMonster
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]